University of Michigan economist Joel
Slemrod knows how to come up with the kind
of headline that catches How the World
Works' eye: "Why Is Elvis on Burkina Faso
Postage Stamps? Cross-National Evidence on
the Commercialization of State Sovereignty."
His lead paragraph offers up a delicious
slice of cultural/economic globalized
miscegenation.
One stamp dealer's advertisement listed for
sale stamps picturing Elvis Presley issued
by Burkina Faso, Chad stamps depicting
Marilyn Monroe, Chechnya stamps picturing
Groucho Marx, Grenada Grenadines stamps
showing Bob (Elliot) and Ray (Goulding),
Mongolia stamps with the Three Stooges and
the X-Men, and Montserrat stamps with Jerry
Garcia. Most of these stamps never reach the
issuing country's shores, and are designed,
produced, and marketed by a foreign agency
to stamp collectors around the world.
Mongolia stamps featuring the X-Men? What
would Genghis Khan do?
How can you not love an economic treatise
that introduces the concept of "stamp
pandering?" Unfortunately, for those of us
whose minds go blank at the first sight of a
multivariable differential equation, the
going gets a lot harder in short order. And
Slemrod's conclusions after investigating
four examples of sovereignty
commercialization are hardly
earth-shattering.
Slemrod's four examples are countries that
money launder, offer themselves as tax
havens, provide flags of convenience for
shipping, and engage in stamp pandering.
Unsurprisingly, there is considerable
overlap among the first three categories,
less so for the fourth. The 44
stamp-pandering countries are two times more
likely to be tax havens than not, but don't
significantly overlap with the
money-launderers or flag-of-conveniencers.
Interestingly, both tax haven and
stamp-pandering activity appear to require
relatively higher levels of "good
governance." Money-laundering, not so much.
Generally, well-governed poorer countries
that do not have other means of readily
raising funds engage in sovereignty-selling
activities such as stamp pandering. But that
doesn't seem particularly surprising, and
makes Slemrod's final sentence: "This
provides some support to the notion that
when revenue is difficult to raise in other
ways commercialization becomes more
attractive" something of a buzz-kill.
Why is Elvis
on Burkina Faso postage stamps? Because it's
hard to make a living in this world when
you're a poor African country, and if you
have any kind of decent head on your
shoulders, you'll grab at every option
available. Besides, Elvis made his own
living ripping off the musical contributions
of African-Americans, so maybe what's really
going on in this particular case is some
cultural reappropriation.
That still doesn't explain the X-Men thing,
however.
Posted: 5th. December 2007