By: Alanna Nash
Source: Elvis Australia
In August 2007, Alanna Nash interviewed a number of Elvis' female co-stars, family members, and friends for a Ladies Home Journal article titled 'The Women Who Loved Elvis'. One article that LHJ decided to leave out, for reasons unknown to Alanna, was an interview with Barbara Eden.
The original interview from August 2007 was the very first time Barbara Eden had been interviewed in-depth by anyone about Elvis. This is not the complete interview, as it had to be kept short for the magazine and now the balance will be kept for use in Alanna's new book to be published in time for Elvis' 75th birthday in January 2010. This book will be the first comprehensive look at Elvis purely from the female prospective. (More about this below).
Barbara Eden was born in Tucson, Arizona, the daughter of Alice Mary (n�e Franklin); her stepfather was Harrison Connor Huffman. She graduated from Abraham Lincoln High School in San Francisco in 1949, and was elected Miss San Francisco, 1951. She became Barbara Jean Huffman when her mother remarried, and then changed from 'Huffman' to 'Eden' at the behest of her manager, who thought the name Huffman would not sell in Hollywood. Eden agreed to change her last name, but insisted on keeping her first name, stating that she could not answer to anything else.
Interview with Barbara Eden by Alanna Nash
God, what a talent he was! I remember the first time I saw him. It was on television. I had a job dancing, and one of the girls took me home to rehearse, and her sister came running in the room and said, 'Look! Look! Quick! Stop!' It was the Ed Sullivan Show. And he was just electric. You'd never forget him after that.
We ended up doing a western, Flaming Star , together, when he first came back from the army. He was a natural on a horse. He was really good at it, as he was at acting. I think Elvis, like a lot of country entertainers, had his feet mired in emotional truth. When they say something, it's right up front. You see it in Dolly Parton. The truth is right there. Elvis had that facility, and in his acting, he immediately became that character. He believed what he was doing, and he had no inhibitions about doing what he believed.
And he cared. That's what impressed me about Elvis. He cared so much about doing a good job, and knowing his craft. He was lovely man to work with. Good manners. He followed direction, he listened, and he was no problem. There wasn't a huge ego. He wanted to please. But he did bend. He wanted to just act in this film, and not sing, but they decided they needed music and had him playing guitar while I hopped around the table at one point.
He enjoyed doing that film, playing a half-breed Indian. The director, Don Siegel, said it was his finest performance ever. It ran opposite to anything he had done or would do in the future. And he was so good at it, and he got good reviews, but I don't think the picture made a lot of money. And that's too bad, because Colonel Parker was out for the fast buck. I remember the Colonel had a little desk set up, and he was selling Elvis' records and memorabilia just inside the soundstage. I watched and I did a double take. I couldn't believe it. Elvis said, 'People talk about the Colonel a lot, but he's been good to me. I was a nobody before I met him. I was playing little joints, and he made me what I am, and I appreciate it, and I'll always listen to him'. And he did.
We talked about a lot of things, like weight, because we were both watching what we ate. I said, 'Well, you don't have a problem. You're very lean'. And he said, 'No, no, my mama was heavy, and I take after her. It shows in my face, so I have to be really careful'. I was married to actor Michael Ansara at the time, and Elvis asked me how difficult it was being married and acting. And I said, 'It's not tough at all. It's our job. We just go our ways and do it'. And he said, 'I'm really thinking about getting married, but I'm a little worried'. I said, 'Oh, have you met someone?' He said, 'Yeah, I met this girl. She's awful young, though. I don't know'. Of course, we know what happened later.
He was a huge fan of Michael's [Broken Arrow]. I said, 'When do you ever have time to watch television?' And he looked at me and said, 'Barbara, that's all I do. I can't go outside. I have to stay in the room'. I got the impression it was like a jail. The only time he was free and happy was when he was on the stage. When I met him on the lot he had his friends from Memphis around him, who were dear. He called them his cousins -- some of them really were, I understand -- and his father was there. They sat around in chairs and on boxes and sang. Elvis said, 'We're 'pickin'. They'd sing a little of this, a little of that. It was very pleasant. Everything was easy with him. And they were very good people. I have a picture, sitting there with his father and his cousins. Such nice memories.
Michael did another film with him later on [Harum Scarum, 1965], and Elvis was a little more outgoing, more sure of himself by then. He'd laugh out loud, for example. I sat with him for a while on the set. He was still the same basic good, sweet, malleable guy. Such a gentleman.
Alanna Nash working on new book.
In August 2007, journalist and biographer Alanna Nash interviewed a number of Elvis' female co-stars, family members, and friends for a Ladies Home Journal article titled 'The Women Who Loved Elvis'. Now she's turning the idea into a book for Harper Entertainment, to be published in time for Elvis' 75th birthday in January 2010. Nash reports the book will be the first comprehensive look at Elvis purely from the female prospective. 'For all his maleness, Elvis was a very woman-centered man, because of his closeness with his mother', she says. 'It was women he could really talk with, and from whom he drew much of his strength. The book will look at a number of his relationships, both platonic and romantic. And part of it will consider how his status as one of the greatest sex symbols of the 20th century informed his stage act and his interactions with the opposite sex'. Anyone with information or contacts that could help with this project are invited to contact Alanna.
Published with the permission and co-operation of Alanna Nash.
Alanna Nash is the author of the books;
- Elvis: From Memphis to Hollywood
- Elvis And The Memphis Mafia
- The Colonel - The Extraordinary Story of Colonel Tom Parker and Elvis Presley
Posted: 7th. June 2008